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DTSTART:20170326T010000
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DTSTART;TZID=Europe/Paris:20180601T140000
DTEND;TZID=Europe/Paris:20180601T170000
DTSTAMP:20260513T114207
CREATED:20190403T051024Z
LAST-MODIFIED:20190403T121833Z
UID:1037-1527861600-1527872400@vale.sorbonne-universite.fr
SUMMARY:Soutenance de thèse: Jeanne Schaaf\, "Lieux et non-lieux du théâtre écossais"\, 01/06/2018
DESCRIPTION:Soutenance le vendredi 1er juin 2018\, à 14h (Serpente: salle D040\nJeanne SCHAAF \, « Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère post-nationale »\nSous la direction de Elisabeth ANGEL-PEREZ\nComposition du jury : Elisabeth Angel-Perez\, directrice Danièle Berton-Charrière (Clermont-Ferrand)\, rapporteur Ian Brown (Kingston\, London) Marie-Odile Pittin-Hédon (Aix-Marseille)\, rapporteur Alexandra Poulain (Paris 3-Sorbonne nouvelle) Benjamine Toussaint (Sorbonne université)
URL:https://vale.sorbonne-universite.fr/event/soutenance-de-these-jeanne-schaaf-lieux-et-non-lieux-du-theatre-ecossais-01-06-2018/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Liste complète,Soutenances prévues
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180604T133000
DTEND;TZID=Europe/Paris:20180604T170000
DTSTAMP:20260513T114207
CREATED:20191129T002212Z
LAST-MODIFIED:20191129T010310Z
UID:2505-1528119000-1528131600@vale.sorbonne-universite.fr
SUMMARY:SEM\, "L'Actuel" (PACT)\, séance du 04/06/2018
DESCRIPTION:Séminaire « L’Actuel »\nLe séminaire « L’Actuel » rassemble les chercheu.s.r.e.s qui s’intéressent la manière dont la littérature pense et écrit le temps.\nÀ partir d’un texte de théorie différent à chaque fois\, les séances génèrent une réflexion collective articulée aux préoccupations de recherche « actuelles » de chacun sous forme de séances de travail en groupe réduit. \nChaque participant.e envoie à l’avance un texte littéraire qu’elle/il a choisi et qui entre en résonance avec le texte de théorie proposé. À la lumière du texte\, elle/il expose en 5 minutes\, sans ambition d’exhaustivité\, la manière dont le texte littéraire qu’elle/il a choisi pense et écrit les formes de l’« actuel ». \nLaisser une mosaïque de pensées et de lectures prendre forme autour de la pensée du temps et de l’« actuel » en littérature\, permet de voir se dégager des lignes de convergence\, d’explorer des résonances\, et de faire émerger des approches critiques différentes pour les faire dialoguer. \nLa forme que prend cette pensée par fragments\, par « îlots » pour reprendre les termes de Maurice Blanchot\, nourrit une réflexion collective sur les textes et une forme d’élaboration théorique. \nResponsable : Juliana Lopoukhine \n4 juin 2018: présentation de textes et de pensées critiques autour d’un texte de Michel de\nCerteau\, L’Invention du quotidien. 1. Arts de faire. Paris : Gallimard\, 1990.
URL:https://vale.sorbonne-universite.fr/event/sem-lactuel-pact-seance-du-04-06-2018/
LOCATION:Maison de la Recherche salle 002\, Salle 002\, 28 rue Serpente\, Paris\, 75006
CATEGORIES:Liste complète,Séminaires ou conférences
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180606
DTEND;VALUE=DATE:20180609
DTSTAMP:20260513T114207
CREATED:20190528T102419Z
LAST-MODIFIED:20190529T081215Z
UID:1378-1528243200-1528502399@vale.sorbonne-universite.fr
SUMMARY:COLL Poetry Beyond: “Elizabeth Bishop in Paris: Spaces in Translation & Translations of Space”
DESCRIPTION:  \n“Elizabeth Bishop in Paris: Spaces in Translation & Translations of Space” \nJune 6-8\, 2018 \nOrganized by Angus Cleghorn (Seneca College Toronto)\, Jonathan Ellis (University of Sheffield)\, \nMyriam Bellehigue (Sorbonne Université) and Juliette Utard (Sorbonne Université and CNRS/LARCA) \nMaison de la Recherche de Sorbonne Université – 28 rue Serpente\, 75 006 Paris \nGround Floor Auditorium (Room D035) \n WEDNESDAY JUNE 6 \n9:00 Coffee & Croissants on arrival (3rd floor) \n9:30-10:15\, Editing Elizabeth Bishop (chair: Angus Cleghorn) \n\nThomas Travisano (Hartwick College)\, “The Editing of Elizabeth Bishop: A Brief History”\n\n10:15 Coffee break (3rd floor) \n10:30-12:30\, Shifting Sands: Bishop in the Archive (chair: Lorrie Goldensohn) \n\nBethany Hicok (Williams College)\, “Go to the Source: New Directions in Bishop Studies at the Fluid Boundaries of the Archive”\nVivian Pollak (Washington University in St. Louis)\, “Bishop’s Letters to Dr. Ruth Foster: A Biographical Speculation”\nHeather Treseler (Worcester State University)\,“Bishop and the Scenes of Reading and Writing”\n\n12:30 Buffet – Lunch (3rd floor) \n1:30-3:30\, Bishop and Creative Spaces (chair: Lisa Goldfarb) \n\nSusan Rosenbaum (University of Georgia)\, “Bishop and Stein in Paris: Varieties of Experiment”\nBonnie Costello (Boston University)\, “Dreams and Waking Visions in Elizabeth Bishop”\nLorrie Goldensohn (Vassar College)\, “Elizabeth Bishop’s ‘One Long Poem””\n\n3:30 Refreshments (3rd floor) \n4:00-6:00\, Bishop and French Architectures (chair: Jo Gill) \n\nLisa Goldfarb (New York University)\, “Sky\, Sea\, and Shore: Bishop\, Valéry\, and Post-Symbolist Poetics”\nAngus Cleghorn (Seneca College in Toronto)\, “Bishop’s Stevensian Architecture in Paris”\nVidyan Ravinthiran (Birmingham University)\, “Another look at Quai d’Orléans”\n\n  \nTHURSDAY JUNE 7  \n9:45 Coffee & croissants on arrival (2nd floor) \n10:00-12:00\, Bishop and / in Translation (chair: Antoine Cazé) \n\nNeil Besner (University of Winnipeg)\, “Brazilians’ Bishop: Translating North from South”\nKatrina Mayson (Sheffield University)\, “Elizabeth Bishop\, Translation\, and the Collaborative Ear”\nMariana Machova (University of South Bohemia)\, “Translating Animals”\n\n12:00 Buffet Lunch (2nd floor) \n1:30-3:30\, Bishop Reaching Out (chair: Juliette Utard) \n\nPeter Swaab (University College London)\, “‘Oh\, but it is dirty!’: Elizabeth Bishop’s Liking for Dirt”\nMyriam Bellehigue (Sorbonne Université)\, “Elizabeth Bishop and Intertextuality: Reading Bishop with Flannery O’Connor”\nFany Beaunay (Sorbonne Université)\, “‘You are an I’ : Emergence of the Reader’s Voice in Geography III”\n\n3:30 Refreshments (2nd floor) \n4:00-5:00\, Works-in-Progress (chair: Jonathan Ellis) \n\nMatthew Holman (University College London)\, “King Street\, Merida\, Palais du Sénat: Bishop at the Tibor de Nagy”\nChristopher Laverty (Queen’s University Belfast)\, “The ‘better judgement’ behind the ‘walk on air’: Seamus Heaney’s productive misreading of Bishop”\nTymek Woodham (University College London)\, “Elizabeth Bishop and Charles Olson: Two paths out of Worcester\, MA”\n\n6:30-8:00 \nPoetry Reading at the Sorbonne (17 rue de la Sorbonne – Salle des Actes) \nMaureen McLane\, Heather Treseler\, Vidyan Ravinthiran\, and Deryn Rees-Jones \n(introduced by Jonathan Ellis) \n FRIDAY JUNE 8        \n9:30 Coffee & croissants on arrival (2nd floor) \n10:00 – 12:00\, Opening Lines / Poetic Lines / Lines of Music (chair: Maureen McLane) \n\nJonathan Ellis (University of Sheffield)\, “For a Child of 1918: Elizabeth Bishop at 7 Years Old”\nLangdon Hammer (Yale University)\, “Line\, Leash\, Loop\, Snarl”\nDeryn Rees-Jones (University of Liverpool)\, “Clavichord: A Poetic Essay”\n\n12:00 Buffet – Lunch (2nd floor) \n1:00-3:00\, Bishop and Others (chair: Bonnie Costello) \n\nJo Gill (University of Exeter)\, “City Night to Night City: Proportion and Scale in O’Keeffe and Bishop”\nDavid Hoak (independent scholar)\, “Dear Elizabeth\, Dear May: Reappraising the Bishop / Swenson Correspondence”\nMaureen McLane (New York University)\, “(Elizabeth Bishop)”\n\n3:00 Refreshments (2nd floor) \n3:30-5:30        Bishop and / in Theory (chair: Bethany Hicok) \n\nAxel Nesme (University of Lyon 2)\, “The Purloined Letters of Elizabeth Bishop”\nLhorine François (Université de Bordeaux Montaigne)\, “Torture at Work in a Tortured Work: Distortion and Revision in Elizabeth Bishop’s Poetry”\nSteven Axelrod (University of California Riverside)\, “Bishop and Political Theory”\n\nConference Finale & Dinner 7:30 at la Bastide Odéon (7 rue Corneille\, 75 006 Paris) \nThe event is sponsored by \nSorbonne Université\, V.A.L.E. EA n° 4085 (Sorbonne Université)\, the University of Exeter\,  \nthe US Embassy & BAAS Small Grants program\, Seneca College (Toronto)\,  \nCNRS-LARCA UMR n° 8225 (Paris-Diderot)\, \nInstitut des Amériques and CREA(Paris-Nanterre)
URL:https://vale.sorbonne-universite.fr/event/coll-elizabeth-bishop-in-paris-spaces-in-translation-translations-of-space/
LOCATION:Serpente 035\, 28 rue Serpente\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180613T080000
DTEND;TZID=Europe/Paris:20180616T170000
DTSTAMP:20260513T114207
CREATED:20180427T081418Z
LAST-MODIFIED:20190529T080507Z
UID:199-1528876800-1529168400@vale.sorbonne-universite.fr
SUMMARY:COLL: Société d'Etudes Modernistes\, “Modernist Objects”\, 13-15 juin 2018\, Maison de la Recherche
DESCRIPTION:Third International Conference of the French Society for Modernist Studies (SEM) \n13-14-15-16th June 2018\, Paris Sorbonne University (VALE EA 4085) \n \nKeynote speakers: \nRachel Bowlby (University College London); Douglas Mao (Johns Hopkins University). \nIn a line which seems pre-emptively levelled at Aaron Jaffe’s The Way Things Go exactly one century later\, Richard Aldington wrote in The Egoist that “one of the problems of modern art” is that “to drag smells of petrol\, refrigerators\, ocean greyhounds\, President Wilson and analine [sic] dyes into a work of art will not compensate for lack of talent and technique.” This was December 1914. In the next few decades\, psychoanalysis sought to make sense of the trivial\, thinkers inquired into the status of the mass-produced object\, and the rise of feminist and Labour movements posed the prosaic and essential question of material comforts. Modernist art and literature focused on the mundane\, as emblematized by the everyday object\, which now crystallized our changing relation to the world. The anachronistic frigidaire patent in Ezra Pound’s “Homage to Sextus Propertius\,” ordinariness in William Carlos Williams’s famous “red wheelbarrow\,” defamiliarization in Gertrude Stein’s “Roastbeef” are but a few possible variations on the object\, its importance becoming central to the British neo-empiricists and the American Objectivists. Papers could examine the claim that the poetry and prose\, the visual and performing arts\, and the music of the Modernist era accounted for a shift in object relations with an intensity of observation in proportion with the changes which so profoundly affected the experience of living in industrial times. This SEM conference invites English-language contributions that cover the widest range of reflections on Modernist objects. \nTopics may include\, but are not restricted to: \n– the object vs the thing \n– instruments and tools\, technology\, the machine \n– the object as mass-produced commodity; resistance to consumption \n– waste\, junk\, obsolescence\, recycling \n– the material presence of the book or the magazine in everyday life \n– architecture\, machines for living \n– the Utopian potential of the crafted object \n– the gift and the unalienable object \n– objects\, social identities and intimacy \n– the object and/in space \n– the object in/of science \n– non-human agency \n– the object in the Anthropocene \nScientific Committee: \nHélène Aji\, Rachel Bowlby\, Vincent Bucher\, Noëlle Cuny\, Xavier Kalck\, Jennifer Kilgore-Caradec\, Douglas Mao\, Scott McCracken\, Caroline Pollentier\, Naomi Toth \nPlease send proposals (300 words) and short biographies to Hélène Aji\, Université Paris Nanterre (helene.aji@parisnanterre.fr)\, Noëlle Cuny\, Université de Haute Alsace (noelle.cuny@gmail.com)\, and Xavier Kalck\, Université Paris Sorbonne (xkalck@gmail.com no later than November 15th\, 2017. Notification of decision: December 15th\, 2017. \nAffiche « Modernist Objects » \nProgramme « Modernist Objects”
URL:https://vale.sorbonne-universite.fr/event/modernist-objects/
LOCATION:Sorbonne University\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180621T000000
DTEND;TZID=Europe/Paris:20180623T235900
DTSTAMP:20260513T114207
CREATED:20190327T090606Z
LAST-MODIFIED:20190402T224721Z
UID:190-1529539200-1529798340@vale.sorbonne-universite.fr
SUMMARY:COLL: "Jean Rhys: Transmission Lines / Lignes de transmission"\, 21-23 Juin 2018\, Sorbonne
DESCRIPTION:International conference \nFaculté des Lettres\, Sorbonne Université – VALE (Voix Anglophones Littérature et Esthétique\, EA 4085) \n21-22-23 June 2018\,  Sorbonne Université \nJuliana Lopoukhine\, Frédéric Regard\, and Kerry-Jane Wallart \n \nConference Programme \nThursday 21 June\, Amphithéâtre Michelet\, Sorbonne Université (46 rue Saint-Jacques) \n8.30-9.15\, registration / coffee\n9.15-9.30\, conference opening\, Elisabeth Angel-Perez\, head of the Research Institute VALE (Voix Anglophones Littérature et Esthétique\, EA 4085) \n9.30-12.00\, Chair: Frédéric Regard\nSaskia Schiabo (Universität Stuttgart) – “Writing from the Other America: Re-routing Cosmopolitanism / Re-routing Jean Rhys Criticism”\nScott McCracken (Queen Mary\, London) – “Jean Rhys and L’Étrange Défaite”\nHelen Carr (Goldsmiths\, University of London) – “1966 and Wide Sargasso Sea: the Climate that made Jean Rhys Legible”\nFloriane Reviron-Pieguay (Université de Saint-Etienne) – “Writing Jean Rhys a Life: the Circonvolutions of Transmission Lines in the Memoirs and Biographies of Jean Rhys” \nLunch \n13.30-15.30\, Chair: Scott McCracken\nAndrew Thacker (Nottingham Trent University) – “Reading Rhys Reading”\nAnna Snaith (King’s College London) – “Jean Rhys’s Sonic Modernism”\nPascale Tollance (Université de Lyon 2) – “Painting the Cardboard House Red: (Re)-Writing Colour in Wide Sargasso Sea”\nEvelyn O’Callaghan – “Transmitting Rhys in the Caribbean Classroom: The Elusive Gwendolyn and her Writing in Caribbean Literary History” \nCoffee break \n16.00-17.30\, Chair: Anna Snaith\nElaine Savory (New School\, New York) – “The Elusiveness of Gratified Desire?: Jean Rhys’s Representation of Sexuality”\nEmily O Wittman (University of Alabama) – “Macaronic Humor in Jean Rhys’s Good Morning\, Midnight”\nNicole Terrien (Université de Rennes 2) – “Smile Please: A Modernist Challenge to the Photo Album” \n19.00\, An evening around Jean Rhys at the Maison de la Poésie (Passage Molière\, 157\, rue Saint-Martin 75003 Paris)\nCaryl Phillips will discuss his latest novel\, A View of the Empire at Sunset\, a fictional narrative around the life of Jean Rhys\, with Kathie Birat and Kerry-Jane Wallart.\nThere are a library (where Mr. Phillips’s novel can be bought) and a bar-restaurant at the Maison de la Poésie. \n*** \nFriday 22 June\, salle Dussane Ecole Normale Supérieure Ulm (45 rue d’Ulm) \n9.00-10.30\, Chair: Marc Porée\nSue Thomas (La Trobe University) – “Jean Rhys and Postcolonial Neo-Victorian fiction”\nThorunn Lonsdale (Ithaca College\, London) – “Jean Rhys’ Influence on Contemporary Writers”\nKevin Frank (Baruch College\, New York) – “Propinquities of Modernism and Postmodernism in Voyage in the Dark and Wide Sargasso Sea.” \n11.00-12:30\, Chair: Pascale Tollance\nAndrea Zemgulys (University of Michigan) – “‘I didn’t know’: Innocence as Deep Structure”\nImogen Free (King’s College London) – “The Representation of Stasis as Conflict within Jean Rhys”\nJudith Raiskin (University of Oregon) – “What the ‘F’ is a Daffodil?’: Jean Rhys’s Influence on Pacific Island Literature” \nLunch \n14.00-15.30\, Chair: Andrée-Anne Kekeh-Dika\nCatherine Lanone (Université Sorbonne-Nouvelle) « Phillips’s A View of the Empire at Sunset »\nBénédicte Ledent (Université de Liège) – “The Haunting Presence of Jean Rhys in Caryl Phillips’s Fiction”\nDenise deCaires Narain (University of Sussex) – “Addressing\, Dressing and Undressing the Self: Jean Rhys\, Jamaica Kincaid and the cultural politics of clothing in literary self-making” \nCoffee break \n16.30-18.30\, Chair: Floriane Reviron-Pieguay\nJuliette Taylor Batty (University of Leeds) – “‘Everything’s been done before’: Rhys\, Intertextuality and the Archive”\nPauline Amy de la Bretèque (Sorbonne Université) – “Lines of Transmission / Border Lines in Voyage in the Dark : Creolisation or cultural delimitation?”\nJohanna O’Shea (Goldsmiths\, University of London) – “Reading Inside Rhys’s Writing Machine: the Abstract Maternal Inheritance and Lines of Flight”\nCatherine Rovera (Université Paris-Dauphine\, ITEM – Institut des Textes et Manuscrits Modernes) – “Jean Rhys’s Phantom Manuscript (Mr Howard’s House. CREOLE\, 1938)” \n20.00\, Conference Dinner \n*** \nSamedi 23 juin\, Salle des Actes\, Sorbonne (5\, rue de la Sorbonne) \n9.00-10.30\, Chair: Jagna Oltarzewska\nElsa Lorphelin (Sorbonne Université) – “The Voices of Others: Intertextuality and Auctorial Remanence in Jean Rhys’s Short Fiction.”\nSimon Cooke (Edinburgh University) – “‘[P]arler de soi’: Jean Rhys\, Auto/biography\, and Transmission Lines between Life and Work”\nChantal Delourme (Université Paris-Ouest Nanterre) – “Jean Rhys’s Short Stories: Phrasing the Untransmissible” \n11:00-12.30\, Chair: Judith Raiskin\nMary Condé (IES Abroad London) – “Voyage in the Dark and Nella Larsen’s Quicksand: Faults in Transmission”\nFrançoise Clary (Université de Rouen) – “From Jean Rhys to Edward Kamau Brathwaite: the Lines and Twists of Literary Filiation in Caribbean Postcolonial Modernism”\nChris GoGwilt (Fordham University) – “Jean Rhys and Indonesia: Alienage and Lineage across Decolonial Faultlines” \nLunch \n14.30-16.00\, Chair: Juliana Lopoukhine\nSylvie Maurel (Université Toulouse Jean Jaurès) – “Jean Rhys’s Precarious Testimonies in Sleep It Off Lady”\nLindsey Pelucacci (Fordham University) – “Writing the Unwriting: Textual Entrapment and Subversion: The Function of Alphabetical and Epistolary Letters in Jean Rhys’s Voyage in the Dark”\nPatricia Moran (City University of London) and Erica L. Johnson (Pace University) – “Encryption as Transmission: The Literary Gardens of Wide Sargasso Sea” \nCoffee break \n16.30-18.00\, Chair: Bénédicte Ledent\nCaryl Phillips will be reading from his latest novel\, A View of the Empire at Sunset. Questions and answers.
URL:https://vale.sorbonne-universite.fr/event/jean-rhys-transmission-lines-lignes-de-transmission/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
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