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DTSTART;TZID=Europe/Paris:20230210T140000
DTEND;TZID=Europe/Paris:20230210T160000
DTSTAMP:20260505T114536
CREATED:20230202T133011Z
LAST-MODIFIED:20230202T133011Z
UID:4917-1676037600-1676044800@vale.sorbonne-universite.fr
SUMMARY:SEM A 19: Jamie Fenton
DESCRIPTION:The next session of the A19 seminar series (VALE / LARCA) will take place on Friday\, 10 February\, 2pm-4pm\, at Sorbonne Université\, Bibliothèque de l’UFR d’étude anglophones.\n\n\n\n\n\nA Zoom link will be posted on the A19 website a few days prior to the event.\n\nJamie Fenton will give a paper entitled: “When Persons Become Supposed: Emily Dickinson and the American Civil War.” \n\n\n\n\n\nWhen I state myself\, as the Representative of the Verse — it does not mean — me — but a supposed person. Emily Dickinson to Thomas Wentworth Higginson\, July 1862. \nEmily Dickinson sent this cryptic statement to her mentor\, Thomas Wentworth Higginson\, as the United States entered its second year of civil war. This paper aims to decode the statement\, by paying special attention to that innocuous word ‘supposed’. What is a ‘supposed’ person? How does Dickinson go about supposing them? What lives do they live in verse? The paper will offer two routes through this problem. First it will investigate Dickinson’s interest in dramatic monologue. Her poems have attracted the label of lyric\, but this is not a truth inherent\, and we should be confident in pursuing their relationship with other modes. If a supposed person is something like a character\, how far are Dickinson’s poems from those of her heroes\, Robert and Elizabeth Barrett Browning? The second route is towards the Civil War. Dickinson wrote this letter to a Higginson away at war\, where she feared he had become ‘impossible’. This part of the paper will argue that ‘supposing’ was a necessary talent for civilians waiting for news of combatant relatives or friends: with no guarantee of survival\, soldiers had to be imagined alive. This kind of supposing found its way into Dickinson’s poems in the voices of soldiers. The paper will end by trying to draw the two routes together\, proposing\, via an encounter with Shakespeare\, that Dickinson’s poems can be read as the monologues of impossible people. \n\n\n\nJamie Fenton began his education at Jesus College\, Cambridge\, where he completed a BA in English and MPhil in American Literature\, before moving on to an AHRC-funded PhD at Pembroke College\, Cambridge\, which he finished in 2021. In early 2020\, he held a Kluge Fellowship at the Library of Congress\, Washington\, D.C. in 2021-2022\, he held a postdoctoral fellowship at UNiversity College London.\nHis research interest is American Literature\, especially the literature of the American Civil War. He practices a historical-formalist mode of close reading\, which aims to work out how style emerges from and then thinks about its political and cultural environment. His PhD investigated a series of Civil War poets\, including Walt Whitman\, Herman Melville\, Laura Redden\, Emily Dickinson\, and Paul Laurence Dunbar. He has also written on Woody Guthrie\, Henry David Thoreau\, and the contemporary poet Erica Dawson.\n\nWe look forward to welcoming you to this session!\n\nWith all best wishes\,\n\nThomas Constantinesco\, VALE\, Sorbonne Université\nCécile Roudeau\, LARCA UMR 8225\, Université Paris Cité\nhttps://a19.hypotheses.org/
URL:https://vale.sorbonne-universite.fr/event/sem-a-19-jamie-fenton/
CATEGORIES:Liste complète,Séminaires ou conférences
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DTSTART;TZID=Europe/Paris:20230127T140000
DTEND;TZID=Europe/Paris:20230127T160000
DTSTAMP:20260505T114536
CREATED:20230123T075412Z
LAST-MODIFIED:20230123T075412Z
UID:4837-1674828000-1674835200@vale.sorbonne-universite.fr
SUMMARY:SEM A19: Todd Carmody\, "Work Requirements: Literary Labour and Social Welfare"
DESCRIPTION:Todd Carmody : « Work Requirements: Literary Labour and Social Welfare\,«  \nbibliothèque de l’UFR
URL:https://vale.sorbonne-universite.fr/event/sem-a19-todd-carmody-work-requirements-literary-labour-and-social-welfare/
LOCATION:Bibliothèque UFR d’études anglophones\, 1\, rue victor Cousin\, Paris
CATEGORIES:Liste complète,Séminaires ou conférences
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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221209T140000
DTEND;TZID=Europe/Paris:20221209T153000
DTSTAMP:20260505T114536
CREATED:20221206T112705Z
LAST-MODIFIED:20221206T113338Z
UID:4702-1670594400-1670599800@vale.sorbonne-universite.fr
SUMMARY:SEM: 09/12/2022\, 14h: Jennifer Greiman (Wake Forest University)\,"Unplanted to the last: Melville’s Democracy and the Poetics of Grass\," Sém. A19
DESCRIPTION:Le séminaire A19 (VALE / LARCA) organise sa dernière séance au titre de 2022 le vendredi 9 décembre\, de 14h à 16h\, autour de Jennifer Greiman (Wake Forest University). Sa communication a pour titre: « Unplanted to the last: Melville’s Democracy and the Poetics of Grass. » \nLa séance aura lieu à Université Paris Cité\, bâtiment Olympe de Gouges\, salle 317. Un lien zoom sera indiqué sur le site du séminaire quelques jours avant: https://a19.hypothA19  \nIn a famous 1851 letter to Nathaniel Hawthorne\, Herman Melville describes his “ruthless democracy” as a principle of radical egalitarianism joined to a process of transience and transformation\, which he figures through the cycle of grasses growing\, going to seed\, rooting\, and growing again. From Pierre and Israel Potter in the 1850s to Clarel in the 1870s and Weeds and Wildings published a year before his 1891 death\, Melville’s grasses become a key register of both the macro-politics and micro-politics of democracy across his work – a means of connecting the histories of war and settlement that transform the landscapes of upstate New York and western Massachusetts to the minutest forces of vegetable creativity and change. This talk will trace Melville’s grassy figures alongside the more famous poetic grasses of Walt Whitman’s Leaves of Grass to tease out the difference of Melville’s conception of democracy. While both Melville and Whitman develop experimental aesthetics from the adhesive powers of democratic sociality and the figurative bounty of grass\, Whitman’s poetics and prose after the Civil War is explicitly committed to the question of how poetry might plant an enduring democratic union. Melville\, by contrast\, holds to the radical premise that democracy is unplantable – that is\, it must be understood as groundless (in Jacques Rancière’s formulation)\, in part\, because its most militant potential derives from a combination of human and non-human creativities (in William Connolly’s). \nMichael Jonik is Reader in English and American Literature at the University of Sussex. He will be her respondent. \nJennifer Greiman is Associate Professor of English at Wake Forest University and the associate editor of Leviathan: A Journal of Melville Studies. She is the author of Melville’s Democracy: Radical Figuration and Political Form (forthcoming from Stanford University Press) and Democracy’s Spectacle: Sovereignty and Public Life in Antebellum American Writing (Fordham University Press\, 2010) and the co-editor\, with Paul Stasi\, of The Last Western: Deadwood and the End of American Empire (Bloomsbury Academic\, 2013). Her articles have appeared in The New Cambridge Companion to Herman Melville\, The New Melville Studies\, Timelines of American Literature\, J19: The Journal of Nineteenth-century Americanists\, Leviathan\, REAL\, and Textual Practice. Recently\, in June 2022\, Jennifer Greiman was keynote at the Melville’s Energies conference in Paris. \nWe hope to see you there! \nThomas Constantinesco \nPour A19
URL:https://vale.sorbonne-universite.fr/event/sem-09-12-2022-14h-jennifer-greiman-wake-forest-university-sa-communication-a-pour-titre-unplanted-to-the-last-melvilles-democracy-and-the-poetics-of-grass-sem-a19/
LOCATION:Paris Cité
CATEGORIES:Liste complète,Séminaires ou conférences
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