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UID:1113-1539216000-1539388799@vale.sorbonne-universite.fr
SUMMARY:COLL: Axe Théâtre\, "Crossing Borders"\, 11-12/10/18
DESCRIPTION:PROGRAMME \nRADAC (the French Society for the Study of Contemporary Anglophone Theatre: radac.fr) is pleased to announce that registration for ‘Crossing Borders’ at the MSH Paris Nord from 11-12 October 2018 on Contemporary Anglophone Theatre in Europe is now open. \n20\, avenue George Sand 93210 La Plaine Saint-Denis. \nScholars from 11 European countries\, 22 talks about contemporary anglophone theatre in Europe\, roundtable discussions with European practitioners\, Radac’s 40th anniversary\, all in 1 location \n…


Keynote speakers: Professor Elisabeth Angel-Perez (Sorbonne University) and Professor Peter Boenisch (Central School of Speech and Drama)

Award-winning British playwright Simon Stephens in conversation with Professor Dan Rebellato. \n 
URL:https://vale.sorbonne-universite.fr/event/coll-axe-theatre-crossing-borders-11-12-10-18/
CATEGORIES:Colloques ou journées d'études,Liste complète
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DTSTART;VALUE=DATE:20181004
DTEND;VALUE=DATE:20181007
DTSTAMP:20260511T202206
CREATED:20190403T133122Z
LAST-MODIFIED:20190403T133122Z
UID:1116-1538611200-1538870399@vale.sorbonne-universite.fr
SUMMARY:COLL VALE: "Taking place / L’avoir lieu"\, 4-6/10/2018\, Sorbonne 
DESCRIPTION:Organisé par Guillaume FOURCADE\, Juliana LOPOUKHINE\, Benjamine TOUSSAINT et Kerry-Jane WALLART \nJeudi 4 octobre 2018\, Salle des Actes (54 rue Saint-Jacques\, 75005 Paris) \n8.30 Accueil des participants / delegates’ welcome \n9.15 Ouverture du colloque par Elisabeth Angel-Perez et Françoise Sammarcelli\, Directrice et Vice-Directrice du laboratoire VALE (EA4085) / Conference opening by Elisabeth Angel-Perez (Chair of VALE) and Françoise Sammarcelli (Co-chair of VALE)
 
Mises en crise du lieu / Critique of place

Présidence / Chair : Françoise Sammarcelli \n9.35 Christine Savinel (Université Paris 3\, Sorbonne Nouvelle) : « Critique de l’événement : Gertrude Stein et le lieu du possible » \n10.00 Valérie Morisson (Université de Bourgogne Franche-Comté\, TIL EA4182) : « De l’avoir lieu à l’être-lieu : parcours dans l’œuvre de Dorothy Cross » \n10.25 Antonia Rigaud (Université Paris 3\, Sorbonne Nouvelle) : « Le désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy » \n11.10 Pause café / Coffee break
 
Recherches du lieu / Looking for place

Présidence / Chair : Frédéric Regard \n11.20 Richard Phelan (Université Aix-Marseille) : « Un coin prolongé dans le temps » \n11.45 Cécile Beaufils (Sorbonne Université\, VALE) : « Journeys and Events: New Nature Writing in Britain and Event Culture » \n12.25 Pause déjeuner / Lunch break \n14.00 Conférence plénière / Plenary talk
Prof. Elaine Freedgood (New York University) : « What Takes Place on the Page » 

Présidence / Chair : Guillaume Fourcade
 
Lieux en devenirs / Becoming places

Présidence / Chair : Line Cottegnies \n15.15 Catherine Conan (Université de Bretagne Occidentale) : « La crise financière irlandaise de 2008 : l’impossible événement » \n15.40 Benjamin Bouche (Université Paris Nanterre) : « Ce que l’avoir-lieu doit à l’« esprit des lieux » » \n16.20 Pause café / Coffee break
 
Expressions du lieu / Expressing place 

Présidence / Chair : Marc Amfreville \n16.40 Cécile Rousselet (Paris 3 Sorbonne Nouvelle\, CERC / Sorbonne Université\, Eur’Orbem) : «  Isaac Bashevis Singer : s’inscrire ici\, parler de là-bas » \n17.05 Slawomir Koziol (University of Rzeszów) : « Here\, Meaning Where? Taking Place in Augmented Reality as Represented in Rainbows End by Vernor Vinge »

17.30 Barbara Kowalczuk (Université Bordeaux Montaigne) : «  « Some Real War Shit. … I Fucking Held the Camera »: The Toxicity of Re-implacing Iraq in Roy Scranton’s War Porn » \nVendredi 5 octobre 2018\, Amphithéâtre 25\, Campus Pierre et Marie Curie (4 place Jussieu\, 75005 Paris)
 
Possibilités de l’événement / Possible events

Présidence / Chair : Elisabeth Angel-Perez \n9.00 Aurélien Saby (Sorbonne Université / Lycée Hélène Boucher) : « Quelque chose a-t-il lieu dans Sketches from the Sierra de Tejeda (2015) de John Fuller ? » \n9.25 Cécile Varry (Université Paris-Diderot) : « « The Right Time and the Right Place Are Not Here » : Quête du lieu et forme liturgique dans la poésie de T.S. Eliot » \n9.50 Solange Ayache (Sorbonne Université\, ESPE Paris) : « « Taking Place » or « Giving Place »: From Events to Probabilities in Nick Payne’s Constellations » \n10.35 Pause café / Coffee break 
 
L’événement comme avenir / The futurity of events

Présidence / Chair : Juliette Utard \n10.50 Laurent Folliot (Sorbonne Université\, VALE) et Juliana Lopoukhine (Sorbonne Université\, VALE) : « Writing out of Place: Woolf and Wordsworth in London » \n11.30 Delphine Munos (Humboldt Postdoctoral Researcher\, Goethe University Frankfurt) : « Giving a Face\, Giving a Place: Narrating Indefinite Immigration Detention in Refugee Tales I and II » \n12.15 Pause déjeuner / Lunch break \n14.00 Conférence plénière / Plenary talk 

Prof. Glenda Norquay (John Moores University) :  « Restoring Places in the Ruins of Time: Contemporary Scottish Fiction »
Présidence / Chair : Benjamine Toussaint
 
Performances poétiques / Poetic performances

Présidence / Chair : Nicholas Manning \n15.15 Pascale Guibert (Université de Franche-Comté) : « Dislocation – xlocation: The Apocalypse of Place in Eamonn Wall’s Poetry » \n15.40 Bastien Goursaud (Sorbonne Université\, VALE) : « Performance as Ceremony\, Text as Monument: Alice Oswald’s Incantatory Poetics of Memory » \n16.20 Pause café / Coffee break 
 
Evolutions de l’avoir lieu / Taking place as process

Présidence / Chair : Geneviève Cohen-Cheminet \n16.40 Nataliya Gorbina (Technical University of Dortmund) : « Chronotopic Encounter with a Bruegel in M. Frayn’s Headlong (1999) » \n17.05 Camille Manfredi (Université de Nantes) : «  « Walking As Knowing As Making » As Taking: Place As Process\, or\, Scotland As Hodology » \nSamedi 6 octobre 2018\, Maison de la Recherche\, Amphithéâtre 035 (28 rue Serpente\, 75006 Paris)
 
L’ailleurs de l’avoir lieu / Taking place elsewhere

Présidence / Chair : Marie-Céline Daniel \n9.30 Cécile Angelini (Université Catholique de Louvain) : « Temps et espace chez Huebler » \n9.55 Mabandine Djagri Temoukale (Université de Kara\, Togo) : « Avantages et défis de la nigérianisation de l’anglais dans A Man of the People » \n10.20 Maëlle Jeanniard du Dot (Université Grenoble Alpes / Université de Rennes II) : « Taking Place and Finding one’s Place: Unhomely Events in Mohsin Hamid’s Novels The Reluctant Fundamentalist (2007) and Exit West (2017) » \n11.05 Pause café / Coffee break
 
Traces de l’avoir lieu / Tracing what is taking place 

Présidence / Chair: Kerry-Jane Wallart \n11.20 Anne-Sophie Letessier (Université Jean Monnet\, EA 3069 CELEC) : « Inscription\, Dislocation: Taking Place in Aritha van Herk’s Places Far From Ellesmere: A Geografictione » \n11.45 Claire Omhovère (Université Paul-Valéry\, EA 741 EMMA) : « What Place Takes Place in Jordan Abel’s The Place of Scrapes (2013)? » \n12.10 Robert Kilroy (Sorbonne Université Abu Dhabi) : « When All That Takes Place Is the Place Itself: Tracing the Word/Image Parallax from Godot to Gatsby » \n  \n  \nTexte de cadrage : \nAvoir lieu : comme pour l’événement\, l’expression dit un enchevêtrement de temps et d’espace\, et peut-être la difficulté qu’il y a à penser l’un sans l’autre. Pliées l’une sur l’autre\, temporalité et spatialité rappellent le chronotope de Bakhtine et représentent des conventions très marquées dans l’histoire du roman\, mais aussi du théâtre\, de la poésie\, de la nouvelle; elles constituent surtout les coordonnées de nos points de vue empiriques. Plus que l’événement\, peut-être\, ce qui a lieu fait irruption dans sa matérialité\, et met en lumière la singularité de la perspective d’où ce surgissement – fait divers ou moment historique\, qui ne sont que deux visages de l’accident – est vécu. Ce qui a lieu implique un spectateur\, qui est peut-être un témoin\, voire\, un lecteur. Les embardées du réel que le sujet désigne impliquent aussi un écrivant ou un écrivain\, une mise en récit. Ce qui a lieu\, enfin\, c’est aussi la langue anglaise elle-même\, qui advient sous toutes les latitudes et longitudes\, toujours un peu plus\, forçant le lecteur à opter pour ou contre le post-structuralisme\, en faveur d’une contextualisation\, ou pas.

En français comme en anglais\, l’événement\, qui est aussi celui de l’apparition de l’oeuvre\, se dit par le biais d’une métaphore curieusement spatiale plutôt que temporelle – /to take place/\, avoir lieu. On souhaiterait lire cette expression sur le mode de la catachrèse\, en lui rendant ce qu’on n’y entend plus guère – son rapport à un lieu. Dans les deux cas\, il semble que la possibilité de l’action humaine\, et de l’autorité (/authority/ aussi bien que /authorship/) qu’elle pose\, s’inscrive non seulement dans l’espace mais aussi dans l’appropriation (/take/\, avoir) de celui-là. Il paraît d’autant plus approprié de penser cette assignation/inscription spatiale en ce début de XXIème siècle qu’on voit se dessiner\, dans le champ théorique\, à la fois des lignes de fuite diasporiques (/diaspora studies/\, puisque Londres n’est plus tant la capitale culturelle et littéraire d\’un pays qu’une ville-monde au carrefour de toutes les cultures) et un retour à un décor qui ne serait plus paysage\, mais territoire débarrassé de la présence intrusive de l’homme (/ecopoetics/ et /environmental studies/\, dans le sillage d’une relecture\, faite notamment par Buell\, des Transcendantalistes américains). \nAvoir lieu\, c’est aussi plus généralement le destin particulier de cette langue anglaise laquelle a\, plus que toute autre\, migré à travers le globe\, par le jeu d’un projet impérial qui commence sous les yeux de Shakespeare et qui perdure dans ses effets en 2016\, en passant par ces XVIIIème et XIXème siècles qui ont vu s’écrire foison de récits d’exploration et de description coloniales\, en un mouvement centripète qui fonde et mine tout à la fois l’anglicité. 
Ce sujet permet peut-être par ailleurs de scruter les rapports entre les arts\, déplacés par-delà leurs propres frontières\, mais qui s’approprient également un nouvel espace de performance (notamment théâtrale et poétique\, au sens strict) par ce biais de la transmédialité ; il pourra intéresser les chercheurs travaillant sur la temporalité et notamment sur les phénomènes de rythme\, d’itération et de réitération\, dans la mesure où la mémorialisation hante l’avoir-lieu\, le reconduisant ou l’amenuisant (cf. Didi-Huberman et le non-lieu) ; il touche aux questions de genre\, avec les espaces attribués à chaque sexe\, et notamment au sexe féminin (le grenier\, la cuisine\, la maison – l’intime et le domestique)\, attribution qui va souvent de pair avec la confiscation de toute autorité ; il permet aux études américaines de repenser ce qui semble fondateur\, et qui pourtant n’en finit pas de poser problème : le rapport au territoire « sauvage »\, qui n’est plus à cartographier au XXIème siècle et qui est aussi représenté comme – littéralement ou métaphoriquement – carcéral depuis le tout premier XIXème siècle. On pourra s’intéresser\, dans le cadre des études du matérialisme culturel\, à la façon dont\, finalement\, l’oeuvre n’a plus lieu\, ou plus lieu de la même façon\, depuis ce que Benjamin décrit comme l’ère de la reproductibilité de l’oeuvre d’art – à moins que ces interrogations ne replacent l’avoir lieu du côté de la réception\, un autre chantier topique à l’heure d’une refonte fondamentale des circuits de transmission et de circulation des textes. On pourra aussi réfléchir à nouveau au rhizome de Deleuze\, à la brisure de Derrida\, à la modernité de Appadurai. Les concepts d’actualisation et de ritualisation mis sur le devant de la scène avec les performance studies pourront être mis à contribution\, tout comme les genres utopique et dystopique\, ou encore le phénomène des littératures régionalistes. \n 
URL:https://vale.sorbonne-universite.fr/event/coll-vale-taking-place-lavoir-lieu-4-6-10-2018-sorbonne/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180710T080000
DTEND;TZID=Europe/Paris:20180713T170000
DTSTAMP:20260511T202206
CREATED:20190403T133447Z
LAST-MODIFIED:20230201T123148Z
UID:1121-1531209600-1531501200@vale.sorbonne-universite.fr
SUMMARY:COLL: "Alliance\, Antagonism\, Authorship"\, Scott Conference\, 10-13/07/2018
DESCRIPTION:11th Conference of the Walter Scott Society. \nCongrès international coordonné par Benjamine Toussaint avec la Walter Scott Society. \nTuesday July 10th (Salle des Actes) \n10.00 am onward: registration \n2.00 Welcome speech: Pr. Elisabeth Angel-Perez\, Director of VALE\, Pr. Pascal Aquien\, Vice-Dean (Research) of the Faculty of Humanities\, Pr. Wilfrid Rotgé\, Head of the English Department. \n2.30 – 4.00 pm : Opening Plenary : Katie Trumpener (Yale University) : “A long wavering train of light”: The French Revolution and Scott’s Afterlife (John Galt\, Alexander Pushkin\, Claire de Duras) \n4.00 – 4.30 pm : coffee break \n4.30 – 6.00 pm: Round table on translation and appropriation of Scott\, chaired by Paul Barnaby (Edinburgh University Library)\, with Annika Bautz (Plymouth University)\, Kang-yen Chiu (National Yang-Ming University)\, Marcos Flaminio Peres (University of São Paulo)\, Céline Sabiron (Université de Lorraine) and Fernando Toda (University of Salamanca). \n6. 15 pm : Wine and cheese tasting (Club des enseignants) \nWednesday July 11th \n9.30 – 11.30 am Round table (Salle des Actes): “Experiential learning and transdisciplinary pedagogy: University of Wyoming’s study abroad program development at Abbotsford House”\, chaired by Mary Katherine Scott (University of Wyoming) with Kirsty Archer-Thompson (Abbotsford)\, Nicole M. Crawford (University of Wyoming)\, Darrell D. Jackson (University of Wyoming)\, Barbara Ellen Logan (University of Wyoming)\, Alison Lumsden (University of Aberdeen)\, Susan Oliver (University of Essex)\, Murray Pittock FRSE (University of Glasgow). \nLunch on your own\, tea and coffee available from 1.00 pm \nPanel sessions (English Department – G – 2nd Floor) \n1.30 – 3.15 pm The Anxiety in Objects: Waterloo Memorabilia at Abbotsford (chair and introduction : Kirsty Archer-Thompson)\nStuart Allan (National Museums Scotland): “This flag was never a French one”: A Waterloo conundrum at Abbotsford.\nPaul Barnaby (Edinburgh University Library): One Headless Body\, Three Skulls: Scott and the Spoils of Corporal Shaw.\nCaroline McCracken-Flesher (University of Wyoming): Cranioklepty and Conversation: Shaw’s Skull and a New Alliance. \n1.30 – 3.00 pm Scott and drama (chair: Robert Irvine\, University of Edinburgh)\nHenri Suhamy (Université de Nanterre): Scott and Shakespeare\nMichael Wood (University of Edinburgh): Trials of a ‘Germanized brat’: The House of Aspen\, German Models and British Cultural Renewal\nAnnika Bautz (Plymouth University): The ‘universal favourite’: Daniel Terry’s Guy Mannering; or The Gipsey’s Prophecy (1816) \n1.30 – 3.00 pm Gender (chair: Tara Ghoshal Wallace\, George Washington University)\nCaroline Jackson-Houlston (Oxford Brookes University): Auld Alliance Brexit? Scott and the Moral Legitimacy of Post-1603 Monarchs.\nFiona Price (University of Chichester): Antagonism and Influence: Performance\, Gender\, the Early Historical Novel and Scott.\nOrianne Smith (University of Maryland): Gender and Supernatural Alliance in Scott’s The Bride of Lamermoor and Baillie’s Witchcraft. \n3.00 – 3.30 pm coffee break \n3.30 – 4.30 pm 21st century Scott (chair: Caroline McCracken-Flesher\, University of Wyoming)\nEvan Gottlieb (Oregon State University): Senses\, Gestures\, Chances: Three (More) Ways of Looking at the Waverley Novels.\nAnthony Jarrells (University of South Carolina): Capital in the Nineteenth Century (Scott and Picketty). \n3.30 – 4.30 pm Antiquarianism and Artefacts (chair: Silvia Mergenthal\, University of Konstanz)\nBoris Proskurnin and Eugene Tokarev (Perm University): Sir Walter Scott’s The Antiquary: Cultures\, History\, Art and Narrative Alliances.\nLisa Mckenna (University of Aberdeen): The Remembrancers : objects\, artefacts and material culture in Walter Scott’s The Tale of Old Mortality.\n3.30 – 4.30 pm Marguerite Charlotte Charpentier (chair: Lesley Graham\, Université de Bordeaux )\nKirsty Archer Thompson (Abbotsford): The Fair Unknown: Unmasking Charlotte Charpentier.\nDeirdre Shepherd (University of Edinburgh): Loving Allies\, Antagonistic Friends: The Life of Marguerite Charlotte Charpentier\, Disorderly Outsider. \n4.30 – 5.00 pm coffee break \n5.00 – 6.30 pm Plenary (Salle des Actes): Alison Lumsden and Gerard Carruthers : the Abbotsford Chapbook Project. \nThursday July 12th \nPanel Sessions (English Department – G – 2nd Floor) \n9.30 – 10.30 am Scott\, French literature & translation (chair: David Hewitt\, University of Aberdeen)\nCéline Sabiron (Université de Lorraine): Reading Between the (Ridge) Lines in Walter Scott’s Anne of Geierstein : Translating the Mountain in a Transnational\, Interlinguistic and Transcultural Context.\nAmélie Derome (Université d’Aix-Marseille): Walter Scott’s Lives of the Novelists as prefaces of French retranslations of 18th century British fiction: when affiliation sparks cultural alliance \n9.30 – 10.30 am Scott & Buonaparte (chair: Penny Fielding\, University of Edinburgh)\nDan Wall (University of Aberdeen): The Peculiar Province of History: re-imagining the past in Scott’s Life of Napoleon Buonaparte.\nLesley Graham (Université de Bordeaux): Alliance and antagonism in Paul’s Letters to his Kinsfolk (1816) \n9.30 – 10.30 am Scott and Scottish Fellow Writers (chair: John Pazdziora\, Shantou University)\nSilvia Mergenthal (University of Konstanz): ‘Giving Scotland Her Own Renaissance’: John Buchan’s Walter Scott\nDuncan Hotchkiss (University of Stirling): Scott\, Hogg and the ‘birth’ of the short story \n10.30 – 11.00 am coffee break \n11.00 – 12.30 am Politics (chair: Anthony Jarrells\, University of South Carolina)\nKonraad Claes (Ghent University): The Patriot Novelist : the Pragmatic Toryism behind the Agonistic Plots of Walter Scott.\nFernando Toda (University of Salamanca): Authorship\, Antagonism and Alliance in The Letters of Malachi Malagrowther.\nGretchen Woertendyke (University of South Carolina): Discerning Secrecy \n11.00 – 12.30 am God and State (chair: Benjamine Toussaint\, Sorbonne Université)\nNorman Arthur Fischer (Kent State University): How Scott was willing to offer civil liberties to the two religious groups from which Locke withheld those liberties: radical Protestants and Catholics.\nJohn Patrick Pazdziora (Shantou University): Old Mortality and ‘Old Mortality’ : Stevenson’s Allusion to Scott’s Novel.\nSamuel Baker (University of Texas\, Austin): ‘Tis Sixty-Three Years Since: The Grand Climacteric and the Climate of Character in Scott’s Chronicles of the Canongate. \n11.00 – 12.00 am Scottish Writers and France (chair: Céline Sabiron\, Université de Lorraine)\nNancy Moore Gosley (University of Tenessee): Writing ‘Trash’ or Representing Trauma? John Ballantyne as Novelist\nGraham Tulloch (Flinders University\, Adelaide): Walter Scott\, Allan Massie\, France and Loyalty \n12.30 lunch break on your own\, tea and coffee available at 13.30 \nPanel Sessions (English Department – G – 2nd Floor) \n2.00 – 3.00 am Poetry (chair: Ian Alexander\, University of Aberdeen)\nAlison Lumsden (University of Aberdeen): Creative Conversations : Exploring the Notes to Scott’s Narrative Poems\nAinsley McIntosh : Marmion and ‘the “Mighty Minstrel” of the Antigallican War’ \n2.00 – 4.00 pm France: Ally or Enemy? (chair: Evan Gottlieb\, Oregon State University)\nTara Ghoshal Wallace (George Washington University): Anne of Geierstein and the End of Monarchy\nRobert Irvine (University of Edinburgh): The Political Language of Anne of Geierstein\nMichael Buck (Indiana Wesleyan University): Antipathy Toward the ‘Auld’ Ally: The Artistic and Intellectual Provenance of Scott’s The Antiquary\nPenny Fielding (University of Edinburgh): Post War Scott \n2.00 – 3.30 pm Scott’s Legacy (chair: Lucy Wood\, University of Edinburgh)\nElena Pinyaeva (Financial University of Moscow): Scott’s historicism and its oblivion in Conrad’s fictional experiment with history: The Rover vs. Quentin Durward.\nIna Ferris (University of Ottawa): A Generic Alliance: The Historical Novel at the Border of Historical Time in Scott and Vargas Llosa.\nKang-yen Chiu (National Yang-Ming University): Reading Ivanhoe at Midnight: Scott and the Rise of Modern Chinese Fiction. \n4.00 – 4.30 pm coffee break \n4.30 – 6.00 pm Plenary (Salle des Actes) : Gerard Carruthers Robert Burns and Walter Scott: National Antiquarians \nConference Dinner: Le Paprika – 28 avenue Trudaine – 75009 Paris \nFriday July 13th \nPanel Sessions (English Department – G – 2nd Floor) \n9.30 – 11.00 am Outsiders and Dissonant Voices (chair: Ainsley McIntosh)\nJ.H. (Ian) Alexander (University of Aberdeen): Scott’s Closures.\nAnna Fancett (Xi’an Jiaotong University): Reading Against the Grain : Disruption and Alliance on the Narrative Level of the Waverley Novels\nPaul Arant (University of Aberdeen): ‘There is no knowing what tricks they have amongst them’: The Romani Heroes in the Novels of Walter Scott \n9.30 – 11.00 am Antiquarianism\, History & the Arts (chair: Michael Wood\, University of Edinburgh)\nLucy Wood (University of Edinburgh): ‘A take that has been told’: Walter Scott and the Honours of Scotland\nJohn Morrison (University of Aberdeen): An end to antagonism: Walter Scott and the painting of pro-British history in Scotland\nSusan Frye (University of Wyoming): Material Authorship : Abbotsford and Strawberry Hill \n9.30 – 11.00 am Transatlantic Scott (chair: Evan Gottlieb\, Oregon State University)\nPauline Pilote (Université de Bretagne Sud): Walter Scott\, Mathew Carey and the Transatlantic Publication of the Waverley Novels\nKenneth McNeil (Eastern Connecticut State University): Imagining the Aftermath: Walter Scott\, Washington Irving and Collective Memory in the Transatlantic World\nAnne Stapleton (University of Iowa): Under the Banner of Waverley : A Transatlantic Phenomenon \n11.00 – 11.30 am coffee break \n11.30 am – 1.00 pm Closing Plenary (Salle des Actes) : Mary Favret (John Hopkins University): Old Mortality and The Violence of Number. \nSee you in Edinburgh in 2021! \ncall of papers \nWalter Scott’s ties with France were personal as well as intellectual and artistic. His wife was of French birth and his interest in France was manifested both in his non-fiction (with his Life of Napoleon and the final Series of Tales of a Grand-father) and in his novels\, since he chose 15th-century France as the location of his first novel set on the European continent. While Quentin Durward took some time in achieving success in Britain\, its French translation\, Quentin Durward\, ou l’Écossais à la cour de Louis XI was immediately popular and inspired French writers and artists. Victor Hugo\, for instance\, wrote a laudatory review of the novel in La Muse française\, the chief organ of the French Romantic movement\, and partly conceived his own Notre-Dame de Paris as a response to it. Eugène Delacroix\, one of the foremost French Romantic artists\, drew several sketches based on scenes from Scott’s novel and painted L’Assassinat de l’évêque de Liège (The Murder of the Bishop of Liège\, 1829\, musée du Louvre).\nGiven that the eleventh international Scott conference will take place in Paris\, the Auld Alliance seemed an obvious choice for the general theme of the conference. As the French poet and political writer Alain Chartier declared in 1428\, sixty years before the events described in Quentin Durward\, ‘this alliance was not written on a sheepskin parchment but engraved in man’s live flesh\, written not with ink but with blood’. While these words underline the depth of the relation uniting France and Scotland they also ominously hint at the violent wartime context in which the treaty was concluded for the first time.\nThe typical pattern of Scott’s plots is one in which the main protagonist is caught in a conflict between two opposite forces embodying different stages in the evolution of society. As a result\, antagonism is one aspect of his work that has been the focus of much critical study\, especially from a Marxist angle\, following Georg Luckács’s seminal work on the historical novel. It might however still be possible to engage in this field by resorting\, for instance\, to contemporary debates on the values of agonistic rhetorics – which some critics see as a means to justify domination while others\, on the contrary\, stress “the affirmative dimension of contestation” (Bonnie Honig\, Political Theory and the Displacements of Politics\, 1993: 15). The polyphonic – sometimes even verging on the carnivalesque – quality of Scott’s works has\, in the past few decades\, been emphasized to qualify earlier critical suggestions that the Waverley Novels were a teleological tale of Union.\nAcknowledging the agonistic structure of Scott’s texts and being aware that early analyses of Scott’s works as straightforward\, unequivocal unionist propaganda are now perceived as an over-simplification\, should not\, however\, lead us to reject the notion of alliance as a potentially meaningful trope to analyse his texts\, especially if we choose to define this notion of alliance not simply in terms of its political dimension\, but\, more broadly\, as a bond or connection\, an affinity. Speakers are therefore invited to consider such issues as national or international cultural dialogue\, within Scott’s own body of works as well as between his work and that of other artists. Indeed\, on the back of A.-J.-B. Defauconpret’s immensely influential French translations\, the international success of the Waverley novels was such that they influenced many of his contemporaries – as well as subsequent generations of authors – at home and abroad. Works such as Louis Maigron’s Le Roman historique à l’époque romantique : Essai sur l’influence de Walter Scott (1898) or\, more recently\, Ian Duncan’s Scott’s Shadow : The Novel in Romantic Edinburgh (2007)\, The Reception of Sir Walter Scott in Europe\, ed. Murray Pittock (2007)\, Richard Maxwell’s The Historical Novel in Europe 1650-1950 (2009) or Ann Rigney’s The Afterlives of Walter Scott: Memory on the Move (2012) have demonstrated that studying Scott’s works from a comparative literature or inter-textual perspective – or even within a broader cultural and social framework – can be most illuminating. In the wake of the ‘Reworking Walter Scott’ Conference (Dundee\, April 2017)\, we will not only welcome papers analysing the influence of Scott on other writers – or the latters’ resistance to his ascendancy – but also papers that study the dialogue between Scott’s works and all forms of adaptation or secondary authorship.\nScott’s historical works and his involvement in contemporary politics will clearly offer opportunities to discuss his conception of the importance and value of alliances between countries – including Scotland’s complex position\, torn between Anglophile and Francophile parties. It might also be interesting to compare the views he expresses in his fiction with the ones he expresses in his non-fictional works to determine whether they coincide or follow different logics. Finally\, studying his work as a ballad collector and his social or epistolary connexions with most of the other great writers and the great publishing houses of the period will make it possible to see whether he saw writing as a collaborative or competitive activity.\nThese are of course only a few lines along which the theme of alliance can be interpreted and potential speakers should feel free to offer other interpretations of or variations on this theme.
URL:https://vale.sorbonne-universite.fr/event/coll-alliance-antagonism-authorship-scott-conference-10-13-07-2018/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180621T000000
DTEND;TZID=Europe/Paris:20180623T235900
DTSTAMP:20260511T202206
CREATED:20190327T090606Z
LAST-MODIFIED:20190402T224721Z
UID:190-1529539200-1529798340@vale.sorbonne-universite.fr
SUMMARY:COLL: "Jean Rhys: Transmission Lines / Lignes de transmission"\, 21-23 Juin 2018\, Sorbonne
DESCRIPTION:International conference \nFaculté des Lettres\, Sorbonne Université – VALE (Voix Anglophones Littérature et Esthétique\, EA 4085) \n21-22-23 June 2018\,  Sorbonne Université \nJuliana Lopoukhine\, Frédéric Regard\, and Kerry-Jane Wallart \n \nConference Programme \nThursday 21 June\, Amphithéâtre Michelet\, Sorbonne Université (46 rue Saint-Jacques) \n8.30-9.15\, registration / coffee\n9.15-9.30\, conference opening\, Elisabeth Angel-Perez\, head of the Research Institute VALE (Voix Anglophones Littérature et Esthétique\, EA 4085) \n9.30-12.00\, Chair: Frédéric Regard\nSaskia Schiabo (Universität Stuttgart) – “Writing from the Other America: Re-routing Cosmopolitanism / Re-routing Jean Rhys Criticism”\nScott McCracken (Queen Mary\, London) – “Jean Rhys and L’Étrange Défaite”\nHelen Carr (Goldsmiths\, University of London) – “1966 and Wide Sargasso Sea: the Climate that made Jean Rhys Legible”\nFloriane Reviron-Pieguay (Université de Saint-Etienne) – “Writing Jean Rhys a Life: the Circonvolutions of Transmission Lines in the Memoirs and Biographies of Jean Rhys” \nLunch \n13.30-15.30\, Chair: Scott McCracken\nAndrew Thacker (Nottingham Trent University) – “Reading Rhys Reading”\nAnna Snaith (King’s College London) – “Jean Rhys’s Sonic Modernism”\nPascale Tollance (Université de Lyon 2) – “Painting the Cardboard House Red: (Re)-Writing Colour in Wide Sargasso Sea”\nEvelyn O’Callaghan – “Transmitting Rhys in the Caribbean Classroom: The Elusive Gwendolyn and her Writing in Caribbean Literary History” \nCoffee break \n16.00-17.30\, Chair: Anna Snaith\nElaine Savory (New School\, New York) – “The Elusiveness of Gratified Desire?: Jean Rhys’s Representation of Sexuality”\nEmily O Wittman (University of Alabama) – “Macaronic Humor in Jean Rhys’s Good Morning\, Midnight”\nNicole Terrien (Université de Rennes 2) – “Smile Please: A Modernist Challenge to the Photo Album” \n19.00\, An evening around Jean Rhys at the Maison de la Poésie (Passage Molière\, 157\, rue Saint-Martin 75003 Paris)\nCaryl Phillips will discuss his latest novel\, A View of the Empire at Sunset\, a fictional narrative around the life of Jean Rhys\, with Kathie Birat and Kerry-Jane Wallart.\nThere are a library (where Mr. Phillips’s novel can be bought) and a bar-restaurant at the Maison de la Poésie. \n*** \nFriday 22 June\, salle Dussane Ecole Normale Supérieure Ulm (45 rue d’Ulm) \n9.00-10.30\, Chair: Marc Porée\nSue Thomas (La Trobe University) – “Jean Rhys and Postcolonial Neo-Victorian fiction”\nThorunn Lonsdale (Ithaca College\, London) – “Jean Rhys’ Influence on Contemporary Writers”\nKevin Frank (Baruch College\, New York) – “Propinquities of Modernism and Postmodernism in Voyage in the Dark and Wide Sargasso Sea.” \n11.00-12:30\, Chair: Pascale Tollance\nAndrea Zemgulys (University of Michigan) – “‘I didn’t know’: Innocence as Deep Structure”\nImogen Free (King’s College London) – “The Representation of Stasis as Conflict within Jean Rhys”\nJudith Raiskin (University of Oregon) – “What the ‘F’ is a Daffodil?’: Jean Rhys’s Influence on Pacific Island Literature” \nLunch \n14.00-15.30\, Chair: Andrée-Anne Kekeh-Dika\nCatherine Lanone (Université Sorbonne-Nouvelle) « Phillips’s A View of the Empire at Sunset »\nBénédicte Ledent (Université de Liège) – “The Haunting Presence of Jean Rhys in Caryl Phillips’s Fiction”\nDenise deCaires Narain (University of Sussex) – “Addressing\, Dressing and Undressing the Self: Jean Rhys\, Jamaica Kincaid and the cultural politics of clothing in literary self-making” \nCoffee break \n16.30-18.30\, Chair: Floriane Reviron-Pieguay\nJuliette Taylor Batty (University of Leeds) – “‘Everything’s been done before’: Rhys\, Intertextuality and the Archive”\nPauline Amy de la Bretèque (Sorbonne Université) – “Lines of Transmission / Border Lines in Voyage in the Dark : Creolisation or cultural delimitation?”\nJohanna O’Shea (Goldsmiths\, University of London) – “Reading Inside Rhys’s Writing Machine: the Abstract Maternal Inheritance and Lines of Flight”\nCatherine Rovera (Université Paris-Dauphine\, ITEM – Institut des Textes et Manuscrits Modernes) – “Jean Rhys’s Phantom Manuscript (Mr Howard’s House. CREOLE\, 1938)” \n20.00\, Conference Dinner \n*** \nSamedi 23 juin\, Salle des Actes\, Sorbonne (5\, rue de la Sorbonne) \n9.00-10.30\, Chair: Jagna Oltarzewska\nElsa Lorphelin (Sorbonne Université) – “The Voices of Others: Intertextuality and Auctorial Remanence in Jean Rhys’s Short Fiction.”\nSimon Cooke (Edinburgh University) – “‘[P]arler de soi’: Jean Rhys\, Auto/biography\, and Transmission Lines between Life and Work”\nChantal Delourme (Université Paris-Ouest Nanterre) – “Jean Rhys’s Short Stories: Phrasing the Untransmissible” \n11:00-12.30\, Chair: Judith Raiskin\nMary Condé (IES Abroad London) – “Voyage in the Dark and Nella Larsen’s Quicksand: Faults in Transmission”\nFrançoise Clary (Université de Rouen) – “From Jean Rhys to Edward Kamau Brathwaite: the Lines and Twists of Literary Filiation in Caribbean Postcolonial Modernism”\nChris GoGwilt (Fordham University) – “Jean Rhys and Indonesia: Alienage and Lineage across Decolonial Faultlines” \nLunch \n14.30-16.00\, Chair: Juliana Lopoukhine\nSylvie Maurel (Université Toulouse Jean Jaurès) – “Jean Rhys’s Precarious Testimonies in Sleep It Off Lady”\nLindsey Pelucacci (Fordham University) – “Writing the Unwriting: Textual Entrapment and Subversion: The Function of Alphabetical and Epistolary Letters in Jean Rhys’s Voyage in the Dark”\nPatricia Moran (City University of London) and Erica L. Johnson (Pace University) – “Encryption as Transmission: The Literary Gardens of Wide Sargasso Sea” \nCoffee break \n16.30-18.00\, Chair: Bénédicte Ledent\nCaryl Phillips will be reading from his latest novel\, A View of the Empire at Sunset. Questions and answers.
URL:https://vale.sorbonne-universite.fr/event/jean-rhys-transmission-lines-lignes-de-transmission/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180613T080000
DTEND;TZID=Europe/Paris:20180616T170000
DTSTAMP:20260511T202206
CREATED:20180427T081418Z
LAST-MODIFIED:20190529T080507Z
UID:199-1528876800-1529168400@vale.sorbonne-universite.fr
SUMMARY:COLL: Société d'Etudes Modernistes\, “Modernist Objects”\, 13-15 juin 2018\, Maison de la Recherche
DESCRIPTION:Third International Conference of the French Society for Modernist Studies (SEM) \n13-14-15-16th June 2018\, Paris Sorbonne University (VALE EA 4085) \n \nKeynote speakers: \nRachel Bowlby (University College London); Douglas Mao (Johns Hopkins University). \nIn a line which seems pre-emptively levelled at Aaron Jaffe’s The Way Things Go exactly one century later\, Richard Aldington wrote in The Egoist that “one of the problems of modern art” is that “to drag smells of petrol\, refrigerators\, ocean greyhounds\, President Wilson and analine [sic] dyes into a work of art will not compensate for lack of talent and technique.” This was December 1914. In the next few decades\, psychoanalysis sought to make sense of the trivial\, thinkers inquired into the status of the mass-produced object\, and the rise of feminist and Labour movements posed the prosaic and essential question of material comforts. Modernist art and literature focused on the mundane\, as emblematized by the everyday object\, which now crystallized our changing relation to the world. The anachronistic frigidaire patent in Ezra Pound’s “Homage to Sextus Propertius\,” ordinariness in William Carlos Williams’s famous “red wheelbarrow\,” defamiliarization in Gertrude Stein’s “Roastbeef” are but a few possible variations on the object\, its importance becoming central to the British neo-empiricists and the American Objectivists. Papers could examine the claim that the poetry and prose\, the visual and performing arts\, and the music of the Modernist era accounted for a shift in object relations with an intensity of observation in proportion with the changes which so profoundly affected the experience of living in industrial times. This SEM conference invites English-language contributions that cover the widest range of reflections on Modernist objects. \nTopics may include\, but are not restricted to: \n– the object vs the thing \n– instruments and tools\, technology\, the machine \n– the object as mass-produced commodity; resistance to consumption \n– waste\, junk\, obsolescence\, recycling \n– the material presence of the book or the magazine in everyday life \n– architecture\, machines for living \n– the Utopian potential of the crafted object \n– the gift and the unalienable object \n– objects\, social identities and intimacy \n– the object and/in space \n– the object in/of science \n– non-human agency \n– the object in the Anthropocene \nScientific Committee: \nHélène Aji\, Rachel Bowlby\, Vincent Bucher\, Noëlle Cuny\, Xavier Kalck\, Jennifer Kilgore-Caradec\, Douglas Mao\, Scott McCracken\, Caroline Pollentier\, Naomi Toth \nPlease send proposals (300 words) and short biographies to Hélène Aji\, Université Paris Nanterre (helene.aji@parisnanterre.fr)\, Noëlle Cuny\, Université de Haute Alsace (noelle.cuny@gmail.com)\, and Xavier Kalck\, Université Paris Sorbonne (xkalck@gmail.com no later than November 15th\, 2017. Notification of decision: December 15th\, 2017. \nAffiche « Modernist Objects » \nProgramme « Modernist Objects”
URL:https://vale.sorbonne-universite.fr/event/modernist-objects/
LOCATION:Sorbonne University\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180606
DTEND;VALUE=DATE:20180609
DTSTAMP:20260511T202206
CREATED:20190528T102419Z
LAST-MODIFIED:20190529T081215Z
UID:1378-1528243200-1528502399@vale.sorbonne-universite.fr
SUMMARY:COLL Poetry Beyond: “Elizabeth Bishop in Paris: Spaces in Translation & Translations of Space”
DESCRIPTION:  \n“Elizabeth Bishop in Paris: Spaces in Translation & Translations of Space” \nJune 6-8\, 2018 \nOrganized by Angus Cleghorn (Seneca College Toronto)\, Jonathan Ellis (University of Sheffield)\, \nMyriam Bellehigue (Sorbonne Université) and Juliette Utard (Sorbonne Université and CNRS/LARCA) \nMaison de la Recherche de Sorbonne Université – 28 rue Serpente\, 75 006 Paris \nGround Floor Auditorium (Room D035) \n WEDNESDAY JUNE 6 \n9:00 Coffee & Croissants on arrival (3rd floor) \n9:30-10:15\, Editing Elizabeth Bishop (chair: Angus Cleghorn) \n\nThomas Travisano (Hartwick College)\, “The Editing of Elizabeth Bishop: A Brief History”\n\n10:15 Coffee break (3rd floor) \n10:30-12:30\, Shifting Sands: Bishop in the Archive (chair: Lorrie Goldensohn) \n\nBethany Hicok (Williams College)\, “Go to the Source: New Directions in Bishop Studies at the Fluid Boundaries of the Archive”\nVivian Pollak (Washington University in St. Louis)\, “Bishop’s Letters to Dr. Ruth Foster: A Biographical Speculation”\nHeather Treseler (Worcester State University)\,“Bishop and the Scenes of Reading and Writing”\n\n12:30 Buffet – Lunch (3rd floor) \n1:30-3:30\, Bishop and Creative Spaces (chair: Lisa Goldfarb) \n\nSusan Rosenbaum (University of Georgia)\, “Bishop and Stein in Paris: Varieties of Experiment”\nBonnie Costello (Boston University)\, “Dreams and Waking Visions in Elizabeth Bishop”\nLorrie Goldensohn (Vassar College)\, “Elizabeth Bishop’s ‘One Long Poem””\n\n3:30 Refreshments (3rd floor) \n4:00-6:00\, Bishop and French Architectures (chair: Jo Gill) \n\nLisa Goldfarb (New York University)\, “Sky\, Sea\, and Shore: Bishop\, Valéry\, and Post-Symbolist Poetics”\nAngus Cleghorn (Seneca College in Toronto)\, “Bishop’s Stevensian Architecture in Paris”\nVidyan Ravinthiran (Birmingham University)\, “Another look at Quai d’Orléans”\n\n  \nTHURSDAY JUNE 7  \n9:45 Coffee & croissants on arrival (2nd floor) \n10:00-12:00\, Bishop and / in Translation (chair: Antoine Cazé) \n\nNeil Besner (University of Winnipeg)\, “Brazilians’ Bishop: Translating North from South”\nKatrina Mayson (Sheffield University)\, “Elizabeth Bishop\, Translation\, and the Collaborative Ear”\nMariana Machova (University of South Bohemia)\, “Translating Animals”\n\n12:00 Buffet Lunch (2nd floor) \n1:30-3:30\, Bishop Reaching Out (chair: Juliette Utard) \n\nPeter Swaab (University College London)\, “‘Oh\, but it is dirty!’: Elizabeth Bishop’s Liking for Dirt”\nMyriam Bellehigue (Sorbonne Université)\, “Elizabeth Bishop and Intertextuality: Reading Bishop with Flannery O’Connor”\nFany Beaunay (Sorbonne Université)\, “‘You are an I’ : Emergence of the Reader’s Voice in Geography III”\n\n3:30 Refreshments (2nd floor) \n4:00-5:00\, Works-in-Progress (chair: Jonathan Ellis) \n\nMatthew Holman (University College London)\, “King Street\, Merida\, Palais du Sénat: Bishop at the Tibor de Nagy”\nChristopher Laverty (Queen’s University Belfast)\, “The ‘better judgement’ behind the ‘walk on air’: Seamus Heaney’s productive misreading of Bishop”\nTymek Woodham (University College London)\, “Elizabeth Bishop and Charles Olson: Two paths out of Worcester\, MA”\n\n6:30-8:00 \nPoetry Reading at the Sorbonne (17 rue de la Sorbonne – Salle des Actes) \nMaureen McLane\, Heather Treseler\, Vidyan Ravinthiran\, and Deryn Rees-Jones \n(introduced by Jonathan Ellis) \n FRIDAY JUNE 8        \n9:30 Coffee & croissants on arrival (2nd floor) \n10:00 – 12:00\, Opening Lines / Poetic Lines / Lines of Music (chair: Maureen McLane) \n\nJonathan Ellis (University of Sheffield)\, “For a Child of 1918: Elizabeth Bishop at 7 Years Old”\nLangdon Hammer (Yale University)\, “Line\, Leash\, Loop\, Snarl”\nDeryn Rees-Jones (University of Liverpool)\, “Clavichord: A Poetic Essay”\n\n12:00 Buffet – Lunch (2nd floor) \n1:00-3:00\, Bishop and Others (chair: Bonnie Costello) \n\nJo Gill (University of Exeter)\, “City Night to Night City: Proportion and Scale in O’Keeffe and Bishop”\nDavid Hoak (independent scholar)\, “Dear Elizabeth\, Dear May: Reappraising the Bishop / Swenson Correspondence”\nMaureen McLane (New York University)\, “(Elizabeth Bishop)”\n\n3:00 Refreshments (2nd floor) \n3:30-5:30        Bishop and / in Theory (chair: Bethany Hicok) \n\nAxel Nesme (University of Lyon 2)\, “The Purloined Letters of Elizabeth Bishop”\nLhorine François (Université de Bordeaux Montaigne)\, “Torture at Work in a Tortured Work: Distortion and Revision in Elizabeth Bishop’s Poetry”\nSteven Axelrod (University of California Riverside)\, “Bishop and Political Theory”\n\nConference Finale & Dinner 7:30 at la Bastide Odéon (7 rue Corneille\, 75 006 Paris) \nThe event is sponsored by \nSorbonne Université\, V.A.L.E. EA n° 4085 (Sorbonne Université)\, the University of Exeter\,  \nthe US Embassy & BAAS Small Grants program\, Seneca College (Toronto)\,  \nCNRS-LARCA UMR n° 8225 (Paris-Diderot)\, \nInstitut des Amériques and CREA(Paris-Nanterre)
URL:https://vale.sorbonne-universite.fr/event/coll-elizabeth-bishop-in-paris-spaces-in-translation-translations-of-space/
LOCATION:Serpente 035\, 28 rue Serpente\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
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END:VCALENDAR