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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190606
DTEND;VALUE=DATE:20190609
DTSTAMP:20260612T231603
CREATED:20190603T141455Z
LAST-MODIFIED:20190930T095236Z
UID:1448-1559779200-1560038399@vale.sorbonne-universite.fr
SUMMARY:ATL Axe Théâtre & RADAC\, 59e Congrès de la SAES
DESCRIPTION:A l’occasion du 59ème Congrès de la SAES qui se tiendra les 6\, 7 et 8 juin 2019 à Aix-Marseille Université (campus Schumann à Aix-en-Provence) sur le thème de « l’exception »\, le groupe Théâtre et RADAC présentent un atelier autour du programme ci-dessous. \n27. Scènes anglophones : histoire et esthétique (RADAC)\nResponsables : Elisabeth Angel-Perez (Sorbonne Université) et Susan Blattès (Université Grenoble Alpes) \nAteliers I\nJeudi 6 juin 2019\, 13h30-16h30 \n13h30 Julie Vatain-Corfdir\nSorbonne Université\, VALE (EA 4085)\nL’épique dans l’intime : Strange Interlude ou la quête d’une psychologie totale \n14h15 Valentine Vasak\nSorbonne Université\, VALE (EA 4085)\n« I suppose you don’t quite know what to make of me » : Marginalité et paratopie dans The Zoo Story d’Edward Albee \n15h Sophie Maruéjouls-Koch\nUniversité Toulouse Jean Jaurès\, CAS (EA 801)\n« On the edge of embarrassment or failure » : Richard Maxwell’s Paradisoas theatre coming undone? \n15h45 Cyrielle Garson\nUniversité d’Avignon et des Pays du Vaucluse\, ICTT (EA 4277) \n16h30 Kim Ogier\nSorbonne Université CeLiSo (EA 7332)\nStates of Exception in British Verbatim Theatre: A Corpus-based Analysis \nAteliers II\nVendredi 7 juin 2019\, 9h-10h30 \n9h Deborah Prudhon\nSorbonne Université\, VALE (EA 4085)\nLe théâtre immersive de Punchdrunk : une expérience exceptionnelle \n9h45 Anna Street\nLe Mans Université\, 3L.AM (EA 4335)\nTheaters of Exception: Immigration and the Staging of Instability \nAteliers III\nSamedi 8 juin 2019\, 9h-10h30 \n9h Jeanne Schaaf\nSorbonne Université\, VALE (EA 4085)\nCiara\, de David Harrower\, un hapax théâtral ? \n9h45 Claire Hélie\nUniversité de Lille\, CECILLE (EA 4074)\nExceptionnellement\, le dramaturge se fait poète \nAteliers IV\nSamedi 8 juin 2019\, 11h-12h30 \n11h Mathilde Rogez\nUniversité Toulouse Jean Jaurès\, CAS (EA 801)\nAdaptation backwards? The exceptional case of Craig Higginson\, South African novelist and playwright \n11h45 Marion Coste\nSorbonne Université\, VALE (EA 4085)\n« Many Iraqi men\, we love Mister Bean » : la difficile représentation des Irakiens dans les pièces britanniques sur la guerre d’Irak
URL:https://vale.sorbonne-universite.fr/event/coll-atelier-du-groupe-theatre-radac-au-59e-congres-de-la-saes-les-6-7-8-juin-2019/
LOCATION:Aix-Marseille Université\, campus Schumann\, 29\, avenue Robert Schuman\, Aix-en-Provence\, 13080\, France
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190606T080000
DTEND;TZID=Europe/Paris:20190608T170000
DTSTAMP:20260612T231603
CREATED:20190523T151321Z
LAST-MODIFIED:20190523T151321Z
UID:1344-1559808000-1560013200@vale.sorbonne-universite.fr
SUMMARY:COLL: "Nabokov: Histoire et géographie"\, 06-08/06/2019\, Univ. Cergy-Pontoise
DESCRIPTION:Chères et chers collègues\, \nNous avons le plaisir de vous convier au colloque international « Vladimir Nabokov : Histoire et géographie »\, qui se déroulera le 6 juin à l’université de Cergy-Pontoise et les 7 et 8 juin en Sorbonne. Le colloque se conclura au Musée de l’histoire de l’immigration (palais de la Porte Dorée). Pour brève présentation de l’événement  et le programme\, voir: http://www.vladimir-nabokov.org/colloque-international-paris-6-8-juin-2019-vladimir-nabokov-histoire-et-geographie/ \nL’entrée est libre mais l’inscription demeure obligatoire à l’adresse suivante : vn.histoiregeo2019@vladimir-nabokov.org \nAu plaisir de vous y retrouver\,\nBien cordialement\, \nSigolène Vivier pour le comité d’organisation
URL:https://vale.sorbonne-universite.fr/event/coll-nabokov-histoire-et-geographie-06-08-06-2019-univ-cergy-pontoise/
LOCATION:Univ. Cergy-Pontoise
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190612
DTEND;VALUE=DATE:20190615
DTSTAMP:20260612T231603
CREATED:20190507T080520Z
LAST-MODIFIED:20190528T102747Z
UID:1292-1560297600-1560556799@vale.sorbonne-universite.fr
SUMMARY:COLL Poetry Beyond: “Passages: The Robert Duncan Centennial Conference in Paris"\, 12-14/06/19
DESCRIPTION:“PASSAGES”: THE ROBERT DUNCAN CENTENNIAL CONFERENCE IN PARIS \nSorbonne Université\, Paris\, June 12-14 2019 \nOrganizing committee: \nHélène Aji (Université Paris Nanterre)\, Stephen Collis (Simon Fraser University)\, Xavier Kalck (Sorbonne Université)\, James Maynard (University at Buffalo)\, Clément Oudart (Sorbonne Université) \n  \nJUNE 12 \nMaison de la recherche (28 rue Serpente)\, D040 \n9AM — Registration \n9.30AM—Welcome Address by Pascal Aquien\, VP of Sorbonne Université’s Faculté des Lettres\, and by the Organizing Committee \n10AM PLENARY PANEL 1 \nThe H.D. Connection: Reading Robert Duncan Reading H.D.(Chair: Cynthia Hogue) \n\nLara Vetter (University of North Carolina): “On Love and the American Canon: H.D.\, Robert Duncan\, and ‘Venice-Venus.’”\nJeanne Heuving (University of Washington): “Associating With Robert Duncan: Universals\, Genders and Sexualities in H.D.’s Helen in Egypt”\nSusan McCabe (University of Southern California): “Duncan & H.D.: the ‘Chosen Family’ and Queer Lineage”\nBrian Caraher (Queen’s University Belfast\, UK): “Sourcing ‘a Place of First Permission’: Robert Duncan’s ‘Mythological Mind’ and H.D.’s Trilogy”\n\n12PM    LUNCH BREAK full buffet in Hall of 2nd Floor.  \n2PM 2 WORKSHOPS \nD040 Workshop 1a. Duncan in Paris (Chair: Olivier Brossard) \n\nTed Byrne (Independent scholar): “là où il y a œuvre\, il n’y a pas folie” (on Duncan\, Blaser and Nerval)\nAbigail Lang (Université Paris Diderot): “Duncan in Paris”\nNorma Cole (Independent scholar): “Field Notes from Paris”\nClément Oudart (Sorbonne Université): “Duncan’s French Musings: Experiencing the Foreign and the Poetics of Strangeness”\n\nD116 Workshop 1b. Duncan’s Politics (Chair: Juliette Utard) \n\nKatherine Dubois (University of Maine): “‘As Far as Our Neighborhood Extends:’ Looking at the Duncan Circle as a Model for What’s Possible”\nSarah Ehlers (University of Houston): “The Trotskyite Menace on Campus: Robert Duncan in the Thirties”\nPeter Moore (Purdue University): “Banking the Seeds of Language: Robert Duncan\, Phonetics and the Vernacular of Preliteracy”\nEric Keenaghan (University at Albany): “La politique des vieux: Robert Duncan’s Late Anarchism\, Sexuality\, and Poetry’s Political Life”\n\n4PM COFFEE BREAK Hall of 2nd Floor \n4.30PM D040 KEYNOTE 1: MIRIAM NICHOLS  \n“POETRY AND POLIS: ROBERT DUNCAN’S SYMPOSIUM OF THE WHOLE” \n(Chair: Stephen Collis) \n6.30PM Amphitheatre Quinet — POETRY READING 1 – Sorbonne main campus (46 rue Saint-Jacques) \nHosted by Hélène Aji and featuring Rachel Blau DuPlessis\, Norma Cole\, Michael Heller\, Steve McCaffery\, Michael Palmer\, Jerome Rothenberg\, Nathaniel Tarn \n  \nJUNE 13 \nMaison de la recherche (28 rue Serpente) \n9AM D035 PLENARY PANEL 2 Duncan and the Esoteric (Chair: Devin Johnston) \n\nNorman Finkelstein (Xavier University): “Robert Duncan\, Kabbalah\, and ‘The Dominion of the Poetic Mind’”\nJoseph Donahue (Duke University): “The Lion of the Lord in Love: Robert Duncan and Sufism”\nPeter O’Leary (School of the Art Institute of Chicago): “Duncan’s Esotericism: A Modern Test”\n\n10.30AM COFFEE BREAK Hall of 2nd Floor \n11AM 2 WORKSHOPS D035 Workshop 2a. Duncan Remembered (Chair: James Maynard) \n\nDevin Johnston (Saint Louis University): “In the South: Robert Duncan and Australia”\nRobert Adamson (Independent scholar): “The Ambassador from Venus”\nAlice Fahs (University of California\, Irvine) and Mimi Chubb (Independent scholar): “First Lover: Reflections on Robert Duncan’s Relationship with Ned Fahs”\n\nD116 Workshop 2b. Duncan and Philosophy (Chair: Nicholas Manning)  \n\nElisabeth Joyce (Edinboro University of Pennsylvania): “‘ways of singing the world’: Robert Duncan\, Black Mountain and Phenomenology”\nRobert Kaufman (University of California\, Berkeley): “Negative Lunch; or\, Duncan’s Frankfurt School”\nJeff Hamilton (Independent scholar): “This is the Place:” Kantorowicz’ Mystical Humanism & Liturgical Form in “The Structure of Rime”\n\n12.30PM LUNCH BREAK full buffet in Hall of 2nd Floor.  \n2PM 2 WORKSHOPS D035 Workshop 3a. Duncan and Some Others (Chair: Fiona McMahon) \n\nDaniel Katz (University of Warwick\, UK): “Duncan’s Logographs: Derivation and Gertrude Stein”\nSteve McCaffery (University at Buffalo): “Reading Duncan Reading Stein”\nJeff Twitchell-Waas (Independent scholar): “‘A // music / at rest’: Duncan and Objectivist Poetics”\nXavier Kalck (Sorbonne Université): “The Mathematics of Robert Duncan and John Taggart’s Pythagoreanism”\n\nD116 Workshop 3b. Duncan at School and in the Press (Chair: Antonia Rigaud) \n\nJennifer Moxley (University of Maine): “Three Orphic Triangles and One Square: Robert Duncan at Black Mountain College”\nEdward Alexander (Royal University of Bhutan / UC Berkeley): “Duncan’s Open-Form and Cagean Intermedia: The Poetics and Pragmatics of “Theatre” After Black Mountain”\nNicholas James Wittington (University of California\, Santa Cruz): “Kreis in Poetry: Robert Duncan\, Diane di Prima\, and David Meltzer in the Poetics Program at New College of California”\nStephan Delbos (Charles University\, Prague\, Czech Republic): “The Community of Love and Scorn: Robert Duncan\, Grove Press and Cold War American Poetry”\n\n4PM COFFEE BREAK Hall of 2nd Floor \n4.30PM D035 KEYNOTE 2: STEPHEN FREDMAN \n“ROBERT DUNCAN\, DAVID ANTIN\, AND THE PERFORMANCE OF EXPERIENCE.” \n(Chair: Xavier Kalck) \nSorbonne main campus (46 rue Saint-Jacques) \n6.30PM Amphitheatre Quinet — POETRY READING 2 \nHosted by Stephen Collis and featuring Robert Adamson\, Jane Augustine\, Michael Boughn\, Ted Byrne\, Stephen Cope\, Joseph Donahue\, Thom Donovan\, Amy Evans Bauer\, Norman Finkelstein\, Rob Halpern\, Jeanne Heuving\, Cynthia Hogue\, Devin Johnston\, Robert Kaufman\, Erica Kaufman\, Karen Mac Cormack\, Myung Mi Kim\, Abigail Lang\, Peter Middleton\, Jennifer Moxley\, Peter O’Leary\, Dale Martin Smith \nJUNE 14 \nSorbonne main campus (46 rue Saint-Jacques) \n9AM Amphitheatre Quinet — PLENARY PANEL 3 Duncan Now (Chair: Miriam Nichols) \n\nRachel Blau DuPlessis (Temple University): “Robert Duncan’s Long Poem: a Counterfactual Prospectus”\nMichael Boughn (Independent scholar): “Dispatches from the Poetry Wars”\nJames Maynard (University at Buffalo): “Duncan Scholarship Now”\n\n10.30AM COFFEE BREAK Faculty Club (Club des Enseignants\, 54 rue Saint-Jacques) \n11AM 2 WORKSHOPS \nAmphitheatre Quinet Workshop 4a. The Book of the H.D. Book(Chair: Norman Finkelstein)  \n\nStephen Collis (Simon Fraser University): “Pages from an RD Book: Time and the Anthropocene.”\nJeff Fallis (Georgia Tech): “Can The H.D. Book Still Save American Art (and America Itself)?”\nCorey Zielinski (University at Buffalo): “People of the Book: Robert Duncan and Edmond Jabès”\n\nAmphitheatre Michelet Workshop 4b. Duncan\, H.D. and Beyond (Chair: Lara Vetter) \n\nJane Augustine (Independent scholar): “Before Miss Keogh: Notes on Robert Duncan’s Early Childhood Reading and Literary Milieu”\nAmy Evans Bauer (Royal Holloway\, University of London\, UK): “Editing the Fan Mail/Fan Male: The Robert Duncan-H.D. Correspondence and the Performance of Influence”\nCharles Lock (University of Copenhagen\, Denmark): “’That need for the sublime’: Fragments of Transcendence in Ezra Pound\, H.D. and Robert Duncan”\n\n12.30PM LUNCH BREAK full buffet at Hôtel des 3 Collèges (16 rue Cujas) \n2PM 2 WORKSHOPS \nAmphitheatre Quinet Workshop 5a. Duncan and the Form of Forms (Chair: Célia Galey) \n\nGraça Capinha (University of Coimbra\, Portugal): “‘the inner law silenced now’ or Robert Duncan’s Relevance Today”\nMichael Heller (NYU): “The War of Poetry: Duncan’s Heresies”\nAdam Katz (University at Buffalo): “Prolegomena to a Metaphysical Prosodics”\nPeter Middleton (University of Southampton\, UK): “Codes of Life and Text: Robert Duncan’s Poetic Cryptography”\n\nAmphithéâtre Michelet Workshop 5b. Duncan and Some Others (2) (Chair: Stephen Fredman) \n\nRoss Hair (University of East Anglia\, UK): “Re-membering in Robert Duncan’s ‘Nel Mezzo Del Cammin di Nostra Vita’”\nDale Martin Smith (Ryerson University\, Canada): “The Circle of the Bee-Hive: On the Correspondence of Robert Duncan and Charles Olson”\nStephen Williams (Benedictine University): “Robert Duncan and Concrete Reality”\nPatrick James Dunagan (Independent scholar): “‘O for some high blown language release’: Lynn Lonidier’s Robert Duncan”\nAdam Mitts (University at Buffalo): “Loss and Community in Robert Duncan and Kevin Killian’s Dante Sonnets”\n\n4PM COFFEE BREAK Faculty Club (Club des Enseignants\, 54 rue Saint-Jacques) \n4.30PM Amphithéâtre Quinet  \nROUNDTABLE ON ROBERT DUNCAN & NEW NARRATIVE \n(Moderator: Stephen Collis) \nStephen Cope (Hobart and William Smith Colleges\, NY)\, Thom Donovan (The New School\, NYC)\, Rob Halpern (Eastern Michigan University)\, Kaplan Harris (Saint Bonaventure University\, NY)\, Erica Kaufman (Bard College Institute for Writing and Thinking)\, Eric Sneathen (University of California\, Santa Cruz)\, Robin Tremblay-McGaw (Santa Clara University) \n7PM Amphithéâtre Quinet  \nKEYNOTE 3: MICHAEL PALMER\, “THE OPEN”  \n(Chair: Clément Oudart) \n8PM COCKTAIL AT THE FACULTY CLUB (Club des Enseignants\, 54 rue Saint-Jacques) \nContact: robertduncaninparis@gmail.com
URL:https://vale.sorbonne-universite.fr/event/coll-passages-the-robert-duncan-centennial-conference-in-paris-12-14-06-19/
LOCATION:Maison de la Recherche salle 002\, Salle 002\, 28 rue Serpente\, Paris\, 75006
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190620T100000
DTEND;TZID=Europe/Paris:20190620T170000
DTSTAMP:20260612T231603
CREATED:20190603T142745Z
LAST-MODIFIED:20190930T095120Z
UID:1457-1561024800-1561050000@vale.sorbonne-universite.fr
SUMMARY:SEM Axe Théâtre: GENRE/GENDER
DESCRIPTION:La deuxième journée annuelle / séminaire doctoral du Groupe Théâtre sera essentiellement\, mais pas uniquement\, centrée sur les problématiques de GENRE/GENDER. Nous nous retrouverons à 10h pour écouter Elise Rale\, Charalampos Keivanidis et Aloysia Rousseau. Après une pause déjeuner conviviale\, nous aurons la chance de pouvoir voir Indecent de Paula Vogel\, dont Julie Vatain fera la présentation et permettra la projection.
URL:https://vale.sorbonne-universite.fr/event/sem-groupe-theatre-genre-gender/
LOCATION:Sorbonne Université\, Paris\, France
CATEGORIES:Colloques ou journées d'études,Liste complète,Séminaires ou conférences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20190624T100000
DTEND;TZID=Europe/Paris:20190624T170000
DTSTAMP:20260612T231603
CREATED:20190621T165429Z
LAST-MODIFIED:20190621T165521Z
UID:1529-1561370400-1561395600@vale.sorbonne-universite.fr
SUMMARY:2e journée des doctorants du PRITEPS\, 10 h 30\, suivie de l'AG annuelle
DESCRIPTION:
URL:https://vale.sorbonne-universite.fr/event/2e-journee-des-doctorants-du-priteps-10-h-30-suivie-de-lag-annuelle/
LOCATION:D 223\, Maison recherche
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190628
DTEND;VALUE=DATE:20190630
DTSTAMP:20260612T231603
CREATED:20190615T125451Z
LAST-MODIFIED:20190624T094823Z
UID:1483-1561680000-1561852799@vale.sorbonne-universite.fr
SUMMARY:COLL: "‘Glowing Colour’: the ‘Chromatic Turn’ in Victorian Art\, Design and Fashion"\, Oxford
DESCRIPTION:Vous trouverez ci-dessous le programme d’un colloque international et interdisciplinaire sur les couleurs victoriennes qui aura lieu à Worcester College les 28 et 29 juin prochains. Ce colloque a pour but de préparer l’exposition ‘Glowing colour\, From Turner to Whistler’ (2022-2023)\, en partenariat avec l’Ashmolean Museum d’Oxford et le Yale Center for British Art. \nVoici le lien vers le PDF du programme en couleurs: https://www.ashmolean.org/files/glowingcolourprogrammefinalpdf \nBien cordialement\, \nCharlotte Ribeyrol\nAssociate Professor in 19th century British Literature – VALE EA 4085\nSorbonne Université / Junior Member of the Institut Universitaire de France\nMarie Sklodowska Curie Fellow\, Trinity College\, Oxford (2016-2018)\nPrincipal Investigator of the ERC Project CHROMOTOPE (2019-2024) \n‘Glowing Colour’: the ‘Chromatic Turn’ in Victorian Art\, Design and Fashion \nFriday and Saturday 28-29 June\, 2019 \nSultan Nazrin Shah Centre\, Worcester College\, Oxford \nThe industrial supremacy of Victorian Britain is often perceived through the darkening filter of coal pollution. And yet\, it led to innovations such as the invention of vivid aniline dyes. The ‘chromatic turn’ of the 1850s and 1860s mapped out new ways of thinking about colour in science\, art\, design and fashion. This ‘colour revolution’ came to prominence during the 1862 International Exhibition\, a forgotten and yet key\, chromatic event. But if colour became for the first time a major signifier of the modern\, many writers and artists\, rebelling against the industrial present\, invited their contemporaries to learn from the ‘sacred’ colours of the past or from the gorgeous hues of the East. \nOrganised by the Ashmolean Museum\, this groundbreaking conference will explore the impact of this ‘chromatic turn’ on Victorian art\, design and fashion. It will help inform and shape a forthcoming major exhibition on Victorian colour at the Ashmolean Museum\, Oxford and the Yale Center for British Art\, New Haven in 2022-23. \nThis conference has been made possible through the generous sponsorship of Barrie and Deedee Wigmore. \nFriday 28 June \n9.45 – 10.15 am Registration and coffee \n10.15 – 10.30 am Introduction Alexander Sturgis (Director\, Ashmolean Museum)\, Charlotte Ribeyrol (Sorbonne Université)\, Matthew Winterbottom (Ashmolean Museum) \nPanel 1 The Colours of the Past \nChair: Kate Nichols (University of Birmingham) \n10.30 – 10.50 am Stephanie Moser (University of Southampton): ‘Bedaubed with gorgeous colours’: the engagement of Victorian artists and designers with the art of ancient Egypt \n10.50 – 11.10 am Martina Droth (Yale Center for British Art): Seemly and unseemly colour: Chromatic turns in Victorian sculpture \n11.10 – 11.30 am Megan Aldrich (Independent): Colour and the Gothic Revival: Crace\, Pugin and the ‘True Principles’ of Gothic Colour \nDiscussion 11.30 – 11.50 am \n11.50 am – 12.10 pm Donato Esposito (Independent): Animation of colour in the work of the Old Masters \n12.10 – 12.30 pm Charlotte Gere (Independent): Colour in Victorian Jewellery \nDiscussion 12.30 – 12.45 pm \nLunch 12.45 – 2.00 pm \nPanel 2 East & West: Displacing Colour \nChair: Mallica Kumbera Landrus (Ashmolean Museum) \n2.00 – 2.20 pm Renate Dohmen (Open University): Colour and spice\, and all things nice? \n2.20 – 2.40 pm Christine Olson (Yale University): Mediating Design Reform: Owen Jones and Chromolithography \n2.40 – 3.00 pm Harry Lyons (Independent): Christopher Dresser’s views on colour \nDiscussion 3.00 – 3.20 pm \n3.20 – 3.40 pm Clare Pollard (Ashmolean Museum): ‘The instinct of colour’: The Victorian reception of colour in Japanese ornamental textiles \n3.40 – 4.00 pm Aileen Tsui (Washington College\, Maryland): Blackness and the Japanese Curtain in Whistler’s Arrangement in Grey and Black: Portrait of the Painter’s Mother \nDiscussion 4.00 – 4.15 pm \nTea 4.15 – 4.40 pm \nPanel 3 The Colours of Modernity Part 1 \nChair: Nicholas Gaskill (University of Oxford) \n4.40 –5.00 pm Alison Matthews David (Ryerson University\, Toronto): Arrayed in Rainbows: Fashion\, Colour and the Fabrics of Modernity\, 1850-70 \n5.00 – 5.20 pm Kirsty Sinclair Dootson (University of Cambridge): The Political Spectrum: Colour\, Fashion\, Film\, and Feminist Aesthetics before 1900 \n5.20 – 5.40 pm Edwina Ehrman (V&A Museum): ‘Living Gems’: the use of natural colour in Victorian women’s fashion \nDiscussion 5.40 – 6.00 pm \nSaturday 29 June \n9.30 – 10.00 am Registration and coffee \nPanel 4 The Colours of Modernity Part 2 \nChair: Elizabeth Prettejohn (University of York) \n10.00 – 10.20 am Colin Harrison (Ashmolean Museum): ‘You ought to love colour\, and to think nothing quite beautiful or perfect without it’; The role of colour in John Ruskin’s teachings on art \n10.20 – 10.40 am William Whyte (University of Oxford): The Victorians and Structural Polychromy \n10.40 – 11.00 am Caroline Arscott (Courtauld Institute of Art): Colouristic monochrome: Idylls of the 1860s \nDiscussion 11.00 – 11.20 am \n11.20 – 11.40 pm Joyce Townsend (Tate\, London): British artists and their use of new materials in the later 19th century: followers or leaders? \n11.40 – 12.00 pm Sabine Doran (Pennsylvania State University): ‘Earth’s blood on fire’ – Sacrificing the Colour of the Sanguine in the Fin de Siècle \nDiscussion 12.00 – 12.15 pm \nLunch 12.15 – 2 pm \nPanel 5 Exhibiting Colour: the 1862 International Exhibition \nChair: Alexandra Loske (University of Sussex and Royal Pavilion\, Brighton) \n2.00 – 2.20 pm Max Donnelly (V&A Museum): ‘A certain glow of harmonious colour’: furniture at the International Exhibition of 1862 \n2.20 – 2.40 pm Jasmine Allen (Stained Glass Museum\, Ely): ‘A vehicle of light and colour’: stained glass at the 1862 International Exhibition \n2.40 – 3.00 pm Alicia Robinson (V&A Museum): Ironwork 1850-1875 and colour: Scott\, Skidmore and the V&A \n3.00 – 3.20 pm Paul Atterbury (Independent): New Ideas\, New Techniques\, New Colours – the revolution in Victorian ceramics \nDiscussion and concluding remarks 3.20 –3.50 pm \nTea 3.50 – 5.00 pm
URL:https://vale.sorbonne-universite.fr/event/coll-glowing-colour-the-chromatic-turn-in-victorian-art-design-and-fashion-oxford/
CATEGORIES:Colloques ou journées d'études,Liste complète
END:VEVENT
END:VCALENDAR